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MARVEL COMICS PRESENTS # 64 SYNOPSIS Meanwhile, in Brooklyn, NY, Dan Ketch pulls up on his bike in front of a karate studio, intending to meet his best friend, Jack D'Auria. While outside, however, he is assaulted by three drunks brandishing knives. Before anything can happen, Jack comes outside and quickly uses his karate skills to beat up the drunks. When the two boys go back inside, however, they find Jack's sensei fighting with several ninjas, who Danny recognizes as Deathwatch's men. Jack kicks Dan through the studio's window, telling him to go get help. Danny touches the gas cap on his motorcycle and transforms into the Ghost Rider. Back inside, the ninjas question the sensei, threatening the life of Jack in the process. The Ghost Rider arrives just in time, and he and the sensei quickly defeat the ninja squad. The demon picks up the wounded Jack, saying "This is twice, Deathwatch. It won't happen again." ANNOTATIONS Deathwatch was also responsible for the injuries sustained by Dan's sister, Barbara Ketch, in Ghost Rider # 1 (vol. 2). Barbara died right before this story at the hands of Blackout in Ghost Rider # 7 (vol. 2). Jack D'Auria first appeared in Ghost Rider # 4 (vol. 2), where it was mentioned that he studied karate. This issue is reprinted in the Ghost Rider/Wolverine: Acts of Vengeance collection. This issue of MCP also contained stories featuring Poison, Mr. Fantastic, and Blade. REVIEW But when the Ghost Rider series took off like an unexpected sales juggernaut, the decision was made to partner the character up with Wolverine in the pages of MCP. Naturally, sales went through the roof on the title, giving Marvel another example of how well the Ghost Rider character was doing. Whenever he made a guest-appearance in any title, sales for that issue went up. What's really unfortunate, and why such a sales trend quickly came to a halt, is that a lot of these sales-induced stories weren't very good. "Acts of Vengeance" is an example of that, as well. Howard Mackie, who was also the writer on Ghost Rider, used an interesting narrative trick in this opening chapter - a technique he'll use several times throughout this story. Instead of having the two co-leads meet in this first issue, the story is split in half horizontally on the page. The top half of each page focuses on Wolverine in Madripoor, while the bottom half focuses on Ghost Rider in Brooklyn, and it's an effective technique. It allows all of the set-up for the story to be handled at once, despite the two characters being on opposite ends of the globe, and does so in a way that doesn't sacrifice momentum. We're literally given the two stories at once instead of back to back, and it does work well. Mackie also wisely ties the story into the ongoing Ghost Rider plots right from the start, which was good to ensure that book's fans would give this story their attention instead of looking at it as an unnecessary throw-away appearance. The emphasis on Ghost Rider's story, however, doesn't mean that Wolverine gets sidelined. Both characters get equal amounts of insight and action, and this opening chapter does it's job very well - it puts the players into motion and sets up the obligatory "hero vs. hero" fight in the next issue. Where this opening issue falters is on the artistic front, which is truly surprising considering the artist is Mark Texeira, one of the Ghost Rider's definitive artists. It's proven with this story that Texeira should only be allowed to ink his work himself, because Harry Candellario's contribution does nothing but make Tex's work look amateurish and, as much as I hate to say it, just plain ugly. You can see some of Texeira's signature style shining through in places, but it still looks like a last-minute rush job due to the inadequate inks. So while "Acts of Vengeance" unfortunately falls apart completely in later chapters, this opener does a good job at setting up what could have been a good story. Grade: B
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Marvel Comics Presents # 64 Title: Acts of Vengeance, Part 1: "Ghosts of the Past" |